Billions of dollars in masterpieces have disappeared from the world's greatest museums. Many have never been seen again.
On the night of March 22, four hooded thieves forced their way into the Magnani Rocca Foundation near Parma, Italy, and made off with a Renoir, a Cézanne, and a Matisse — valued at €9 million combined — before alarms drove them out.
Four masked men forced the entrance of the Villa dei Capolavori in the Parma countryside and seized three French masterpieces from the first-floor French Room.
The museum's alarm system interrupted what the foundation described as a "structured and organized" operation. The thieves escaped by scaling a fence.
A fourth artwork was reportedly abandoned at the scene, according to La Repubblica. The Carabinieri Cultural Heritage Protection Unit is investigating.
In the most audacious museum heist since the Mona Lisa vanished in 1911, thieves disguised as workers stole Napoleonic tiaras, necklaces and brooches from the Galerie d'Apollon.
Director des Cars had warned of "worrying levels of obsolescence" in a confidential memo to the culture minister in January. The surveillance system password was reportedly "Louvre."
The arts minister had ordered "don't call me unless the Louvre burns down or the Joconde is stolen." The director had boasted no one could steal it — like stealing the towers of Notre Dame.
Vermeer's "The Concert" — one of only 34 known paintings by the Dutch master — is now considered the most valuable missing artwork in the world, estimated at $250 million.
"I placed the suitcase containing the paintings in the stove," Olga Dogaru told investigators. Forensic analysis found fragments of primer, canvas, and nails — but experts stopped short of confirming they were the stolen works.
Thirty-six years after the theft, Vermeer's "The Concert" — one of only 34 known paintings by the Dutch master — remains the most valuable missing artwork in the world, estimated at $250 million. The $10 million reward — the largest ever offered by a private institution — stands unclaimed. Isabella Stewart Gardner's will forbids rearranging the collection. The ghosts of the masterpieces remain.